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TORONTO
Opportunity
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Leaving aside the usual
gaggle of individual walking tours of whatever disposition,
the first book for Toronto with true architectural-guide aspirations was "Exploring
Toronto" (1972, 1977), a compact little book, sponsored by the Toronto Chapter of
Architects--the "
East/West" of its day--containing 12 walking tours authored by a 70s
Who's Who of Toronto's architectural noteworthies (Thom, DuBois, Gustavs, du Toit,
Klein, Markson, Clarke, Baird, Acland, Diamond, Myers, Zeidler, Grossman, Parkin, Vaughan
--and an intro by Eric Arthur). It was part of a 70s series of "Exploring" guides
(including Montreal, Halifax, Niagara-On-The-Lake, and perhaps the Kalman guides might be
regarded as outer satellites), and looks pretty dated today, albeit in a wistful,
"People
City" retro flashback kind of way. Its most myopic boner: the "Water Works" (i.e. the
R.C. Harris Filtration Plant) referred to as "disasters inside and out".
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By comparison, the
agreed-upon standard guide, Patricia McHugh's "Toronto Architecture:
A City Guide" (1985; 2nd ed. 1989), was a quite successful (and rare for Canada) adaptation
of a general Gebhardian formula (though with a bow to Goldberger in details such as mapping
and organization). Like its American forebears, but quite unlike the prevailing Canadian
pattern, McHugh eschewed the strictly linear "guided tour" format, although the entries
still followed a logically-followable "walking tour" sequence; nor was she overly beholden
to any specific historic period or afraid to provide pithy opinion (that hallmark of many
a good, fun-to-use architectural guide) when necessary. And if the hallmark of a good guide
is its impact on public consciousness, explicit or implicit, McHugh wins; not only did she
succeed in contextualizing much of what had hitherto stood mutely within the closed realm
of scholarship and historical inventory, but her identification of such genres as Toronto
Bay-n-Gable quickly seeped into vernacular usage. (Indeed, McHugh shone best when covering
old Toronto neighbourhoods such as Cabbagetown and the Annex--the very places that are
chock-a-block with Bay-n-Gables and their contemporaries.) Far more than a banal "tour
guide" shill for tourists and dillettantes, TA:ACG became an important secondary source and
matrix-definer in its own right--and as we've seen, ever since the Pevsner guides it's been a
familiar story for the architectural guidebook genre.
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There remain problems,
not the least of them being that with 10-15 years of
architectural/physical flux in the interrim, TA:ACG shows its age (though it's
not as embarrassingly/charmingly dated as "Exploring Toronto"). As an architectural
judge, McHugh's always been a bit on the mannered side for my taste--though, given
the subsequent trajectory of popular architectural judgment, perhaps we should be
thankful that TA:ACG came out when it did. And even, loosened as it is, the
"walking tour" format remains a crimp, confining one to "walking distance" central-core
environs while leaving what lies beyond--or even some downtown-proximate zones of interest,
such as the waterfront--untouched. (The 1989 division did little to remedy this, other
than tacking on a couple of chapters on Rosedale.) One gets an uneasy feeling that TA:ACG
hasn't *completely* shaken out its tourist-shill (including the upscale or domestic tourist)
impulse, that it still tilts the Pevsnerian/Gebhardian/Goldbergerian spirit a little too
inadvertently far toward Mike Filey country. That McHugh does a fine job, but this is
only a tempting glimpse of (or maybe, more promisingly, a useful foundation for) what
Toronto or even the GTA really deserved, if perhaps in the longer term...
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Oddly enough, as far as I know there's only one volume which attempted to apply
McHugh's formula elsewhere in Ontario--Katherine Ashenburg's "Going To Town:
Architectural Walking Tours in Southern Ontario" (1996)--and it highlights both
the plusses and the pitfalls of the original. Despite what past issues of Frank
Magazine might tell you, it's actually quite good--surprisingly good, in fact;
Ashenburg's digested her McHughian lessons so well that one wonders why others
across Ontario or even Canada failed to follow suit. As it turned out, the very
urban, urbane notion of the architectural guide translated quite well to those
exemplars of small town Ontario: Cobourg, Goderich, Merrickville, Niagara-on-the-Lake,
Paris, Perth, Picton, Port Hope, St. Marys, Stratford. The problem is --those exemplars:
archetypal destinations for the upticket "cultured" daytripper or B&B crowd, i.e.
over-galleried, over-gift-shopped, over-glamorous, over-marketed coffee-table Upper Canada.
(No wonder Frank Magazine sneered.) The true Pevsnerian, meanwhile, might desire a bit of
grit coupled with standard gloss, their Brantford with their Paris, their Niagara Falls
with their NOTL, their Smiths Falls with their Perth or Merrickville, and everything in
between and beyond, from Cobalt to Clarington. We really ought to hurry up with that
"Buildings Of Ontario" series...
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Introduction
Pevsner and WPA
America: the first wave
AIA Guide to New York City
David Gebhard: America's Pevsner
Goldberger, Banham, and Moore (and more).
Buffalo: Vindication
Chicago: Maturity
The Buildings of the United States series
London + Vienna + Berlin = Cartesian Europe
One Vancouver, many Montréals
Toronto: Opportunity
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